Translations and Editing

I work in English, French, and Korean for publications, art exhibitions, and technical projects, and more. I especially enjoy working with texts that involve knowledge of art and critical theory, digital technology, and music.

Selected works:

Translations 번역 작업

Park, Chan-kyong. “A Faraway Today.” A Faraway Today (Kukje Gallery, 2025).

Yoo, Yedong. “Emerging Amidst the Distant and Faraway….” Distant and Faraway Utopia (Kukje Gallery, 2025).

Yang, Jungae. Research Guide for the Jung Jungyeob Collection (Art Archives, Seoul Museum of Art, 2024).

Cha, Jeamin. Photosynthesizing Dead in Warehouse (script). 2024.

곽영빈, 남수영, 송가현, 아디나 메이, 현지연. 작가 조사-연구-비평: 《임흥순 콤플렉스》 (밤과 호두, 2024).

에치오 만치니. “프로젝트 중심 민주주의”. 《민주주의 씨앗뭉치》 (이은북, 2024).

시몬 루생, 루이즈 모아티, 라파엘 멜츠. 고아침, 김헤니 역. 《살아있는 자들》 (리퀴드북스, 2023).

Kim Sung Hwan and Chung Seoyoung. “Childhood, Growing Up, Habits, and Wet Soil.” Barakat Contemporary (2022).

Various translations for 2022 Title Match: IM Heung-soon vs. Omer Fast “Cut!”. SeMA, Buk-Seoul Museum of Art.

Various translations for 2022 Idle Space Project: (oh, shyness). SeMA, Buk-Seoul Museum of Art.

“Problems in the Ethics of Female Representation: A Conversation between Gina Kim and Han Sang Kim.” Kyeol (2022).

Ahn, Kyuchul. “Preface to the revised edition.” The Other Side of Things Catalogue. Kukje Gallery (2021).

웨슬리 모리스, “화해는 TV에 방송되어야 한다” & Mimyo, “The K-pop Idol: A Fantasy-Balancing Act”. 11th Seoul Mediacity Biennale 《하루하루 탈출한다(One Escape at a Time)》. SeMA (2021).

Cha, Jeamin. Ellie’s Eye (script). 2020.

주마나 에밀 아부드, “아픈 고뇌 속에서” & 로라 발로, “무니라 알 솔 대담”. 《고향》. 서울시립미술관 (2019).

Beck, Jeesook. “From Korea with Love.” emergence (Toronto, Ontario: Art Gallery of Ontario, 2020).

Park, Chan-kyong. “Citations and Notes for Gathering.” MMCA 현대차 시리즈 2019: 박찬경 – 모임 Gathering.

Yoon, Heijeong. “Landscapes from an Age of Purity.” Exhibition review for Ugo Rondinone’s earthing at Kukje Gallery. 2019.

Min, Guhong. “On introducing your company.” Interview. The Creative Independent, 2019.

H.G. 마스터스. (2018). “날것의 자율성”. Ha Chong Hyun. Kukje Gallery (New York: Gregory R. Miller & Co.).

안휘경. (2018). “실험정신: 단색화 이전, 1967년-74년 사이의 하종현”. Ha Chong Hyun. Kukje Gallery (New York: Gregory R. Miller & Co.).

Beck, Jeesook. “(Public) Art of Damage.” Kim Yong Ik. Paris: Editions Cahiers D’Art, 2018.

Boulvain, Thibault. “In the Disorder of the World.” From Vietnam to Berlin. Gwangju: Asia Culture Center, 2018.

Beck, Jeesook. “Caressing The Skin of History.” Korea Artist Prize 2017. Seoul: National Museum of Modern and Contemporary Art, 2017.

Curator’s statement and artwork description for The Other Face of the Moon at Asia Culture Center, Gwangju, 2017.

Kim, Hyunjin. Sasanggye-related research text for Parapolitics: Cultural Freedom and the Cold War at Haus der Kulturen der Welt, Berlin, 2017.

강이룬, 소원영 (큐레이션). (2016). 서울자유지도. link

Ham, Yang Ah. The Village. Forthcoming. (co-translation)

Kim, Lynn et al. Touch Type: Research on Body and Typography. Seoul: Korea Craft & Design Foundation, 2016.

Seoul Museum of Art. SeMA Biennale Mediacity Seoul 2016: NERIRI KIRURU HARARA. Seoul: Seoul Museum of Art, 2016. (co-translation)

Kang, E Roon, Koh, Achim and So, Wonyoung. Korean Internet Tour Guide. http://k-www.kr/en. 2016.

최태윤 외 워크숍 참가자들. (2016). 우리가 세운 벽을 탈(脫)학습하기. 서울. (공동번역)

Ji-Hyun Park, Park Hyun-jung, Woo Ahreum. “Correspondence.” COULD BE NO.1: Trios of Guides. Seoul: Seoul Museum of Art, 2016. link

Choi, Taeyoon & Kang, E Roon. (2015) In Search of Personalized Time. Website and video documentation. http://i-s-o-p-t.com/.

Editing 편집, 감수 등

강이룬, 소원영 (큐레이션). (2016). 서울자유지도. link

강이룬, 소원영. (2016). “multilingual.js: 다국어 웹 타이포그래피를 위한 섞어쓰기 라이브러리”. 글짜씨, 8(1), pp. 8-33.

Morton, Timothy. “Spooky Passion at a Distance.” In Olafur Eliasson: The parliament of possibilities, edited by Leeum, Samsung Museum of Art. Seoul: Leeum, Samsung Museum of Art, 2016.

최태윤, “토머스 트웨이츠와 최태윤의 대화”. (2015). 사물학 II : 제작자들의 도시. 과천: 국립현대미술관. pp. 33-38.